Creative Evolution: Difference between revisions
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The concept of novelty or more specifically<br>novelty generation as the modus operandi of<br>all living creatures mutating in the remix pool<br>relates to current trends in networked art<br>where the artist-as-medium postproduces<br>the Source Material Everywhere<br>as part of a larger co-poietic unfolding<br>inside the networked space of flows ([http://www.livingbooksaboutlife.org/books/Evolutionary_psychology/natural_selection/Introduction more]...) | The concept of novelty or more specifically<br>novelty generation as the modus operandi of<br>all living creatures mutating in the remix pool<br>relates to current trends in networked art<br>where the artist-as-medium postproduces<br>the Source Material Everywhere<br>as part of a larger co-poietic unfolding<br>inside the networked space of flows ([http://www.livingbooksaboutlife.org/books/Evolutionary_psychology/natural_selection/Introduction more]...) | ||
<br><br> | <br><br> | ||
Cheryl A. Kerfeld <br> [http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 When Art, Science, and Culture Commingle] | Cheryl A. Kerfeld<br> | ||
[http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 When Art, Science, and Culture Commingle] | |||
<br><br> | |||
David P. Barash<br> | |||
<br> | |||
David P. Barash | |||
[http://www.epjournal.net/filestore/ep02200219.pdf Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society] | [http://www.epjournal.net/filestore/ep02200219.pdf Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society] | ||
<br><br> | |||
Liane Gabora | Liane Gabora<br> | ||
<br><br> | |||
[http://cogprints.org/4768/1/beercan.htm The Beer Can Theory of Creativity]<br><br> | [http://cogprints.org/4768/1/beercan.htm The Beer Can Theory of Creativity] | ||
<br><br> | |||
Elena Daprati, Marco Iosa, Patrick Haggard | Elena Daprati, Marco Iosa, Patrick Haggard<br> | ||
[http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023 A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art] | |||
[http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023 A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art]<br><br> | <br><br> | ||
Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti<br> | |||
Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti | [http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf Grasping the Intentions of Others with One’s Own Mirror Neuron System] | ||
<br><br> | |||
[http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf Grasping the Intentions of Others with One’s Own Mirror Neuron System]<br><br> | Chrisantha Fernando, K.K. Karishma, Eors Szathmary<br> | ||
[http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775 Copying and Evolution of Neuronal Topology] | |||
Chrisantha Fernando, K.K. Karishma, Eors Szathmary | <br><br> | ||
Steven P. DiPaola and Liane Gabora<br> | |||
[http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775 Copying and Evolution of Neuronal Topology]<br><br> | [http://cogprints.org/6767/ Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm] | ||
<br><br> | |||
Steven P. DiPaola and Liane Gabora | Richard Samuels<br> | ||
[http://sas-space.sas.ac.uk/944/ Is the Mind Massively Modular?] | |||
[http://cogprints.org/6767/ Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm]<br><br> | <br><br> | ||
Johan De Smedt<br> | |||
Richard Samuels | [http://www.epjournal.net/filestore/EP08695719.pdf Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art] | ||
<br><br> | |||
[http://sas-space.sas.ac.uk/944/ Is the Mind Massively Modular?]<br><br> | Mark Amerika<br> | ||
[http://www.culturemachine.net/index.php/cm/article/view/351/353 Source Material Everywhere] | |||
Johan De Smedt | <br><br> | ||
Mark Amerika<br> | |||
[http://www.epjournal.net/filestore/EP08695719.pdf Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art]<br><br> | [http://www.vjtheory.net/web_texts/text_amerika.htm Ghost Tendencies] | ||
<br><br> | |||
Mark Amerika | John Egenes<br> | ||
[http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en Commentary: The Remix Culture; How the Folk Process Works in the 21st Century] | |||
[http://www.culturemachine.net/index.php/cm/article/view/351/353 Source Material Everywhere]<br><br>Mark Amerika | <br><br> | ||
Geoffrey F. Miller<br> | |||
[http://www.vjtheory.net/web_texts/text_amerika.htm Ghost Tendencies]<br><br>John Egenes | [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria] | ||
<br><br> | |||
[http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en Commentary: The Remix Culture; How the Folk Process Works in the 21st Century]<br><br> | Julie Copeland<br> | ||
[http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm The Creative Urge: Elizabeth Grosz ] | |||
Geoffrey F. Miller | <br><br> | ||
[http://www.livingbooksaboutlife.org/books/Evolutionary_psychology/natural_selection/Attributions Attributions] | |||
[http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria]<br><br> | |||
Julie Copeland | |||
[http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm The Creative Urge: Elizabeth Grosz ]<br><br> | |||
Revision as of 10:49, 15 September 2011
Creative Evolution: Natural Selection and the Urge to Remix
edited by Mark Amerika
Mark Amerika
Introduction: What Is Creativity?
What is Creativity?
In his Process and Reality
Alfred North Whitehead writes that
Creativity is the principle of novelty.
The concept of novelty or more specifically
novelty generation as the modus operandi of
all living creatures mutating in the remix pool
relates to current trends in networked art
where the artist-as-medium postproduces
the Source Material Everywhere
as part of a larger co-poietic unfolding
inside the networked space of flows (more...)
Cheryl A. Kerfeld
When Art, Science, and Culture Commingle
David P. Barash
Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society
Liane Gabora
The Beer Can Theory of Creativity
Elena Daprati, Marco Iosa, Patrick Haggard
A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art
Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti
Grasping the Intentions of Others with One’s Own Mirror Neuron System
Chrisantha Fernando, K.K. Karishma, Eors Szathmary
Copying and Evolution of Neuronal Topology
Steven P. DiPaola and Liane Gabora
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm
Richard Samuels
Is the Mind Massively Modular?
Johan De Smedt
Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art
Mark Amerika
Source Material Everywhere
Mark Amerika
Ghost Tendencies
John Egenes
Commentary: The Remix Culture; How the Folk Process Works in the 21st Century
Geoffrey F. Miller
Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator
and Aesthetic Preferences as Mate Choice Criteria
Julie Copeland
The Creative Urge: Elizabeth Grosz
Attributions