Nerves of Perception/bio: Difference between revisions
(Created page with "[http://www.livingbooksaboutlife.org/books/Nerves_of_Perception Back to the book] Anna Munster is a writer, artist and associate professor at the School of Art History and Art Ed...") |
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Anna Munster is a writer, artist and associate professor at the School of Art History and Art Education, University of New South Wales, Australia. She has published ''Materializing New Media: Embodiment in Information Aesthetics'' (2006). She is currently writing a book, ''An Aesthesia of Networks'' (forthcoming 2012) on networks and experience, using the work of William James to re-examine the technics, culture and aesthetics of connectivity and conjunction. Her artistic practice is collaborative – with Michele Barker – and more recently has explored the relations between neuroscience, media histories and technologies, and perception. | Anna Munster is a writer, artist and associate professor at the School of Art History and Art Education, University of New South Wales, Australia. She has published ''Materializing New Media: Embodiment in Information Aesthetics'' (2006). She is currently writing a book, ''An Aesthesia of Networks'' (forthcoming 2012) on networks and experience, using the work of William James to re-examine the technics, culture and aesthetics of connectivity and conjunction. Her artistic practice is collaborative – with Michele Barker – and more recently has explored the relations between neuroscience, media histories and technologies, and perception. | ||
Latest revision as of 16:24, 30 September 2011
Back to the book
Anna Munster is a writer, artist and associate professor at the School of Art History and Art Education, University of New South Wales, Australia. She has published Materializing New Media: Embodiment in Information Aesthetics (2006). She is currently writing a book, An Aesthesia of Networks (forthcoming 2012) on networks and experience, using the work of William James to re-examine the technics, culture and aesthetics of connectivity and conjunction. Her artistic practice is collaborative – with Michele Barker – and more recently has explored the relations between neuroscience, media histories and technologies, and perception.